Two main types of polyphony were organum and the motet. Although monophony remained the principal medium of performance and composition, the rise of written polyphony introduced four concepts that have distinguished Western music ever since: counterpoint, harmony, the centrality of notation, and composition. One result was the growth of polyphony in church music, which heightened the grandeur of chant. The eleventh and twelfth centuries brought prosperity and cultural revival, in scholarship and the arts, to much of western Europe. An enhanced e-book edition allows the sound examples to be played by a touch.Chapter 3: Polyphony through the Thirteenth Century Pesic's story begins with ancient conceptions of God's mind and ends with the polyphonic personhood of the human brain and body. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience-all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences.Īfter tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. ![]() In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”-of “many-voicedness”-in human experience. Polyphony-the interweaving of simultaneous sounds-is a crucial aspect of music that has deep implications for how we understand the mind. Most recently, we have pioneered a new open access model, Direct to Open, that has enabled us to publish more than 80 open access titles in a single year.Īn exploration of polyphony and the perspective it offers on our own polyphonic brains. The MIT Press has been a leader in open access book publishing for two decades, beginning in 1995 with the publication of William Mitchell’s City of Bits. If you can’t find the resource you need here, visit our contact page to get in touch. ![]() The MIT Press has been a leader in open access book publishing for over two decades, beginning in 1995 with the publication of William Mitchell’s City of Bits, which appeared simultaneously in print and in a dynamic, open web edition.Ĭollaborating with authors, instructors, booksellers, librarians, and the media is at the heart of what we do as a scholarly publisher. Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History. International Affairs, History, & Political Science. ![]() ![]() MIT Press Direct is a distinctive collection of influential MIT Press books curated for scholars and libraries worldwide.
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